2020 Taylor 812ce V-Class Grand Concert Natural Acoustic-Electric Guitar

2020 Taylor 812ce V-Class Grand Concert Natural Acoustic-Electric Guitar. This guitar is stunning and has outstanding build quality. The craftsmanship is top notch. It is in like-new near-mint condition with just a hint of fretwear on the first fret. Otherwise in brand new condition with not a single mark anywhere. The neck is straight and the string action height measures 2.74mm at the 12th fret. The guitar weighs just 4.40 pounds. Includes a non-original Taylor Grand Auditorium hardshell case which is just a hair larger than this Grand Concert. The guitar fits in the case just with a tiny bit of extra room inside. Includes an Owner's Manual. Does not include any other paperwork or accessories.

A Playable Work of Art

The Taylor 812ce acoustic-electric guitar is an absolute gem. There’s nothing quite like the look, feel, and sound of a well-crafted small-body guitar. With the 812ce, Taylor puts Grand Concert playability and tonality into an acoustic-electric handcrafted from the finest solid tonewoods and graced with luxurious 800 Series appointments. Featuring a Sitka spruce top, Indian rosewood back and sides, a tropical mahogany neck, and a West African ebony fingerboard, the 812ce is perfect for tracking and layering. It plays very comfortably, thanks to its Grand Concert body, graceful Venetian cutaway, ergonomically beveled rosewood armrest, and shorter scale length. You’ll love the clear, balanced tone — a sound forged by Taylor’s revolutionary V-Class bracing and amplified flawlessly by the onboard Expression System 2 electronics. As your eyes drink in this instrument’s understated elegance, your hands savor its flawless playability, and your ears revel in its rich, organic tone, you’ll treasure your Taylor 812ce. It’s a feast for the senses.

Taylor’s Grand Concert: comfort and clear, balanced tone

Want an acoustic guitar that’s perfect for tracking and layering? Taylor’s Grand Concert body style delivers crystalline clarity and beautifully balanced tone that sits perfectly in thicker arrangements where a larger-bodied acoustic would occupy too much real estate in the mix. The 812ce’s smaller body and tapered waist not only focus the tone, making it the ultimate studio and stage guitar for ensemble playing, but its shorter scale length and lighter string tension also make it easier to play — perfect for younger players and guitarists with smaller hands.

Sitka and rosewood: a classic tonewood combination

As a top tonewood, Sitka spruce offers a combination of strength and elasticity that delivers a broad dynamic range with crisp articulation that’s ideal for a wide range of playing styles, from delicate fingerpicking to aggressive flatpicked strumming. Indian rosewood, used for this guitar’s sides and back, serves up an extended frequency range and rich, musical tonality that have elevated it to premium status among tonewoods. Its potent low end can serve up a throaty growl, while sparkling treble notes ring out with bell-like clarity. Slightly scooped in the midrange (as compared with mahogany), rosewood acoustic guitars are perfect for solo performance, vocal accompaniment, and tracking in sparser arrangements.

V-Class bracing: a sonic revelation

Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa). V-Class bracing changes all that.

With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and, hence, sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation — not only producing notes that are louder and with longer sustain, but are also more in tune with each other. V-Class bracing boosts volume evenly across the tonal spectrum, increases sustain, and improves the natural intonation of the instrument by creating a more synergistic response from the soundboard. This fosters a more harmonious relationship between the notes you play, helping chords to ring out in cohesive splendor. Pick up a Taylor with V-Class bracing and experience it for yourself.

Cutting-edge Taylor Expression System 2 electronics

If you play out live, you’re going to love the Taylor Expression System 2 (ES2) electronics built into your 812ce. The key to this outstanding system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the guitar’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls let you tweak your highs and lows to get the sound you need, and a discreet polarity switch offers vital onboard feedback suppression.

Taylor 812ce Acoustic-Electric Guitar Features:

  • Grand Concert body style delivers exceptional playing comfort and clear, balanced tone
  • Handcrafted in from the finest solid tonewoods by Talyor’s elite luthiers in their USA factory
  • Sitka spruce top; Indian rosewood back and sides; maple binding; gloss 3.5 finish
  • Radiused ergonomic armrest with rosewood inlay; rosewood pickguard
  • V-Class bracing with Relief Rout for optimized volume, sustain, and projection
  • Tropical mahogany neck, Standard profile, satin finish
  • West African ebony fingerboard, Element inlays
  • 24.875-inch scale length; 1.75-inch Tusq nut; 20 frets
  • West African ebony bridge and pins, Micarta saddle
  • Taylor ES2 electronics deliver optimal amplified tone
  • Dual-action truss rod; headstock access
  • Hardshell case included

Tech Specs

  • String Type: Steel
  • Number of Strings: 6
  • Body Shape: Grand Concert
  • Left-/Right-handed: Right-handed
  • Color: Natural
  • Finish: Gloss
  • Top Wood: Sitka Spruce
  • Back & Sides Wood: Indian Rosewood
  • Body Bracing: V-Class
  • Binding: Maple
  • Neck Wood: Tropical Mahogany
  • Neck Shape: Standard
  • Radius: 15"
  • Fingerboard Material: West African Ebony
  • Fingerboard Inlay: Element
  • Number of Frets: 20
  • Scale Length: 24.8"
  • Tuning Machines: Taylor Open Gear
  • Bridge Material: West African Ebony
  • Nut/Saddle Material: Tusq/Micarta
  • Nut Width: 1.75"
  • Electronics: ES-2
  • Strings: .012-.056
  • Case Included: Hardshell Case
  • Manufacturer Part Number: A80400111100007A000
$2,950.00
SKU 052521001

2017 Muckelroy Muck J 5-String Lined Fretless J5 Active HMC Boutique USA Custom Shop Electric Bass Guitar

2017 Muckelroy Muck J 5-String Lined Fretless Active Electric Bass Guitar with a Natural Satin finish. This bass is immaculate with no visible playwear anywhere, save for one little scratch on the side. It was made by Brady Muckelroy in his USA Custom Shop. This boutique bass has so much versatility with this bass. It features an Aguilar OBP-3 18-volt 3-band preamp with independent pickup volume controls and an active/passive bypass switch. It has all satin black hardware. Everything works perfectly with zero issues. The neck is straight and the truss rod works. The tuners hold a tune perfectly. The pickups are likely handwound Honey Badger pickups and they sound fantastic. The bass weighs just 8.98 pounds and has a 1.83" nut width. It has a 34" scale length and the string spacing measures 3.00" at the bridge. The neck thickness measures 0.791" at the 1st fret and 0.927" at the 12th fret. Includes the original Reunion Blues RBX gig bag in excellent condition. Does not include any other accessories.

$1,999.00
SKU 052421002

1992 Peavey 5150 Head 120-Watt Signature Vintage EVH Eddie Van Halen Tube Amp Guitar Amplifier

1992 Peavey 5150 120-Watt Signature Tube Amplifier. This is the original version of Eddie Van Halen's 5150 signature amp, which Peavey released in 1992. The dates stamped on the internals read 1991, likely making this one of the earliest made. It is in excellent working condition with zero issues. It is a very versatile 2-channel amp with multiple gain settings for each channel, along with different gain inputs and a crunch mode for the clean channel. It currently has newer Fender Groove main power tubes and all new Ruby 12AX7 preamp tubes. The front 5150 logo backing behind the front grill was removed and the grill was painted white. The control knobs were also changed to white to enhance the overall look. The serial number plate is located on the bottom of the head, and most of the lettering has rubbed off. The amp's exterior has a handful of dings all over, and the tolex covering has some typical scuffs throughout, but nothing major. The handle works perfectly. All controls work with zero scratchiness. Does not include any accessories.

Peavey 5150

The Peavey 5150 is a vacuum tube based guitar amplifier made by Peavey Electronics from 1992 on. The amplifier was initially created as a signature model for Eddie Van Halen.

Design of the amplifier begun in 1990 and it became a flagship project for Peavey and for then lead engineer James Brown (who has since founded Amptweaker, lasting for about 13 years, comprising the 5150 and 5150 II, until 2004.

The amp's cascading five preamps (actually four preamplifiers and one phase inverter) and four gain stages were implemented in a very simple manner. This design and implementation allowed the individual components to carry themselves (such as by placing the transformer so as to ensure acoustical integrity by minimizing transconductance), in addition to commonizing the system's ground by way of a multilayer PCB, thereby avoiding a large source of unwanted nuances in most poorly grounded musical applications.

Initially, the Peavey 5150 I shipped with four Sylvania 6L6 Power Tube, this was later changed to Ruby Tube 6L6 Power Tubes, when Peavey's Sylvania supply was exhausted (per James Brown, "Tone-Talk", Ep. 17), and five 12AX7 Tubes in the preamplifier staging (with one as a phase inverter).

A defining attribute largely responsible for the 5150 sound is the fixed bias. Commonly described as an analog to a car engine and its respective idle, the 5150 bias was set to a lower value (lower engine "idle") which resulted in the Power Tubes running at a lower energy commonly known as "cold-biased." This configuration supposedly resulted in a more controllable gain setting (i.e. having a more forgiving sonic range than similarly "hot-biased" configurations).

While able to stand among modern technology as a relatively "simple" design, especially in comparison to boutique "hand-wired" variants, the reliability and era its inception welcomed helped verify its cultural significance in Hard Rock, later Metal, as a unique product with a unique tone.

Both the 5150 and the 6505 are well known for its high gain overdrive channel, and has seen widespread use by rock, hardcore and metal guitarists. An early breakthrough was its use by Colin Richardson and Andy Sneap, two "seminal" British producers of heavy metal; especially Machine Head's Burn My Eyes (1994) helped the 5150 gain a reputation for its sound, which "defined a generation of guitar tone". Other notable artists and producers to use the 5150/6505 include Jason Suecof, Matt Tuck and Dino Cazares.

This amp has five 12AX7 tubes in the preamplifier. The power amplifier uses four 6L6GC tubes in the power section in class AB. It has 120 watts RMS output power, into 16, 8 or 4 Ohms. The effects loop can be bypassed with a footswitch. It features separate input for both high and low gain.

The amplifier has two channels, rhythm and lead. Each channel provides the user with separate pre-/postgain control, and the rhythm has an extra crunch and bright switch. The channels share a 3-Band EQ and presence and resonance controls. Switching channels can be done both via the front panel of the amp, or with a remote footswitch.

$1,350.00
SKU 052121003

2005 Ed Roman Quicksilver Korina Boutique USA Custom Shop Electric Guitar

2005 Ed Roman Quicksilver Electric Guitar with a Transparent Korina finish. Expertly crafted by masterbuilder Brent Lynch back when the late Ed Roman was still alive and running the business. This boutique guitar features stunning build quality that rivals anything from the best of PRS or similar makers. It was custom ordered with a ton of high-end options. It weighs in at a very light 7.29 pounds. It has a 1.70" nut width. The neck thickness measures 0.843" at the 1st fret and 0.898" at the 12th fret.

Overall in outstanding near-mint condition with very little playwear. The top shines bright and is very clean. There are no noticeable dings or scuffs of any kind. The gold hardware has some light patina throughout. The back shows no worming. There are zero imperfections with the neck. There is no visible fretwear and all frets have just been polished to a bright shine. The neck is perfectly straight and the truss rod works. All tuners hold a tune perfectly. This guitar features a Buzz Feiten compensated nut. All electronics work perfectly with zero issues. The neck pickup cover has a tiny cosmetic hairline crack in the plastic cover. The original optional Korg DT-7 tuner is not included.

Includes the original hardshell case in excellent condition. All latches work, as does the handle. Also includes all original paperwork including the Certificate of Authenticity (COA) and original order spec sheet.

Model: Quicksilver
Manufacture Date: 06-27-05
Body: Solid Black/White Korina
Finish: Transparent
Fretboard: Ebony
Nut: Buzz Feiten
Neck: Flame Maple
Logo: Ebony Overlay Mother of Pearl (MOP)
Tuners: Sperzel Locking Tuners
Hardware Color: Gold
Inlays: Lightning Bolt
Controls: Push/Pull Potentiometers
Pickups: Seymour Duncan
Frets: 24
Case: TKL 30 Year Case

Quicksilvers are all Custom Guitars. No two of them are alike. The Quicksilver comes stock with Premium Electronics, Premium Hardware, Premium Fingerboard Woods and Masterbuilt Workmanship. Ed Roman's Directly Coupled Neck and Pickup construction is standard on every Quicksilver. The Quicksilver will easily stand up to any guitar on the market anywhere to within 3 times its price.

$2,495.00
SKU 052121001

1980 Martin D-28 Natural Dreadnought Vintage Acoustic Guitar

Early 1980 Martin D-28 with a Natural finish. This is a beautiful vintage Martin that plays great sounds even better. It weighs just 4.81 pounds. The neck thickness measures 0.842" at the 1st fret and 0.985" at the 9th fret. String action measures 2.85mm at the 12th fret.

Overall in great condition for its age. The top is still glossy and bright. There are a handful of dings and scuffs throughout the guitar. The pickguard was reglued and there are three very small old cracks around the pickguard that were sealed long ago, which are all stable. The rear of the bridge may have been professionally reglued and is perfectly stable with no issues. Other than that, the guitar is very well kept. The binding is all good with some very slight yellowing in a few areas. The back has just light worming and some typical handling marks. The back of the neck is clean and smooth with a handful of small wedding ring marks that can't be felt while playing. The ebony fingerboard looks great with some minor fingermarks on the first few frets. There is plenty of fretlife, with some fretwear on the first few frets. All frets have been polished to a bright shine and there is no buzzing anywhere on the fretboard. No issues with the nut. The headstock is very clean with one ding on the edge. The original tuners work perfectly and the neck is perfectly straight.

Includes the original hardshell case in excellent condition. All latches work, as does the handle. The exterior of the case may have some light scuffs from storage. The interior of the case is very clean.

 

In production since the early '30s, the D-28 remains an absolutely benchmark acoustic guitar. The D-28 has gone through a number of changes over the decades, but modern D-28s remain very similar in design to their predecessors. Like all mid- to high-end Martins, the D-28 is built in the Martin factory in Nazareth, PA.
Years of Production: 1931 - present
Body Style: Dreadnought
Wood Composition: Indian Rosewood back and sides, Sitka Spruce top, 1-piece mahogany neck
Notable Players: Paul McCartney, Joni Mitchell, Neil Young, Hank Williams, Elvis Presley 

$2,495.00
SKU 051921001

2008 Spector USA NS-4H2-FM Custom Shop NS4H2 Boutique Active Bass Guitar

2008 Spector USA NS-4H2-FM Active Bass Guitar with a stunning Quilted Maple Satin finish. This beautiful bass is in near-mint like-new condition. There is less wear on this bass than any new instrument hanging on the wall at your local music store. There is zero fretwear and we are unable to find any imperfections. It weighs just 8.12 pounds. The neck thickness measures 0.877" at the 1st fret and 0.960" at the 12th fret.

Includes the original hardshell case in excellent condition. All latches work, as does the handle. Includes original adjustment tools. Does not include any other accessories.

Active tone controls, EMG humbuckers, and a beautifully figured top deliver powerful performance and stunning looks!

The NS-4H2-FM Quilted Maple Electric Bass Guitar features the NS curved body shape crafted with quilted maple over a mahogany back. The 34"-scale bolt-on neck is created from three pieces of maple with graphite stiffening rods inside. Other features include a pau ferro fingerboard, Spector mother-of- pearl crown inlays and black hardware.

The Aguilar OBP-3 active tone controls and EMG active 35CSTW pickups with single and dual-coil modes gives you plenty of tonal choices to work with.

Features

  • Construction: Spector original deep inset bolt-on
  • Body style: Spector original NS curved body shape
  • Body wood: Quilted maple over mahogany back
  • Neck: 3-piece maple with graphite stiffening rods inside
  • Fingerboard: Pau Ferro
  • Fingerboard radius: 16"
  • Nut width: 1.645"
  • Fret: 24
  • Scale: 34"
  • Inlay: Spector mother-of- pearl crowns
  • Bridge: Custom Hipshot (aluminum bridge with brass saddles)
  • Bridge string spacing: .75"
  • Hardware: Black
  • Pickups: EMG active 35CSTW, ceramic and steel components, single/dual coil modes
  • Controls: Two volume, Aguilar OBP-3 active tone controls-bass boost/cut, treble boost/cut, mid boost/cut; selectable mid center point
  • Adjustments: truss rod 4mm, bridge 1/16"
  • Strings: Nickel 45-105

This is an instrument that will show off your bass skills to full effect.

$2,590.00
SKU 051821001

1976 Masaki Sakurai No. 5 Masaru Kohno Vintage Classical Nylon Acoustic Guitar

1976 Masaki Sakurai No. 5 Vintage Classical Nylon Acoustic Guitar. This guitar weighs just 3.74 pounds and has a 2.049" nut width. The E-to-E string spacing measures 2.249" at the bridge. The string action is currently set to a normal 3.91mm and there is plenty of saddle to lower if desired.

Masaki Sakuri is the nephew of the late, renowned Japanese luthier Masaru Kohno, and as customary, is the heir to the Kohno shop. The Sakurai No.5 was one of his early instruments designed and built during his apprenticeship beginning in 1976. The M. Sakurai No. 5 classical guitar is based closely on Kohno designs, and construction of these early models would have been closely supervised by Kohno himself. Some versions of this model apparently used solid Indian Rosewood for the back and sides, with Cedar for the top and a Brazilian Rosewood bridge, and this appears to be one of those leading examples. The top is solid cedar, the neck mahogany, and the fingerboard ebony. The guitar is constructed in the Spanish manner, meaning the sides fit into slots on the sides of the neck block. This is also known as a ‘Slipper Heel’. These are not common guitars, but are very interesting and good sounding, built by a motivated pupil under the watchful eye of a master luthier.

Overall in good condition with the only noticeable imperfection being a crack in the top near the lower bout. This crack looks worse than it really is and can be glued down by anybody familiar with sealing cracks like this. It does not reach the binding and the clear coat is present, so it shouldn't be very noticeable after stabilizing it. Other than that, the guitar is in excellent condition for its age. The top is glossy with minimal handling wear. The bridge is perfect with no signs of lifting. The binding is perfect. The back of the body shows no major worming, just light handling marks. No issues with the neck joint. The back of the neck is clean and smooth with no noticeable marks. The ebony fingerboard has light finger marks but no indentations. The frets have no fretwear and all frets have been polished to a bright shine. The headstock is in great condition. The original tuners work perfectly.

Includes what looks to be the original hardshell case, but there is no branding on it. All latches work, as does the handle. The exterior of the case has light scuffs from storage. The interior of the case is in very good condition.

$1,450.00
SKU 051721002

Diamond Phantom USA Custom Shop 100W Modern Boutique Tube Guitar Amp Head Amplifier

Diamond Amplifications Phantom USA Custom Shop 100W Modern Tube Guitar Amp Head. This is an outstanding modern amp with exceptional build quality. This is Diamond's flagship amp for a reason. It sounds fantastic at both bedroom levels and eardrum destroying levels. This amp is basically a 3-channel amp with the footswitchable independent volume & gain settings on the 2nd channel. It also features a front-facing Effects Return control which acts as a Master Volume, allowing for perfect tone at any volume. The amp is in perfect working condition. The exterior has some light wear throughout, and a couple tiny tears in the tolex. The top has some light white marks, otherwise in excellent condition. The serial number has started to fade. The main power tubes have been replaced with new matched tubes. Includes the original footswitch, extra-long footswitch cable, and power cable. Does not include any other accessories.

 

From clean to 80's style gain to all out ferocity.

It features a clean channel and two distinct high gain settings in Channel 2. The Diamond Amplification Phantom tube guitar amp head has a more traditional high gain structure. Take you favorite amp and inject steroids and decongestants into, and you have the Phantom. Channel 2 also features DA's signature dual volume/gain design. This feature gives the player the option of having two gain settings that are accessible on the fly.

The Phantom features DA's signature "low focus" switch on the rear panel. The low focus switch provides three positions--low, mid and high. The Phantom also features an effects loop. Just plug a cable into the effects send and the loop activates. The front panel features a master volume, which reads E. Return. When the loop is on, the E. Return knob acts as the amp's overall master.

Built using the highest quality components and construction. Every component was selected and tested for this head. It uses six 12AX7 preamp tubes and four Svetlana "Winged C" EL34 tubes in its power stage. A hexagon pattern perforated metal grille made in 16-guage steel with a unique silver vein finish offers the Phantom eye-grabbing good looks.

PHANTOM FEATURES

  • 100 watts (4 x Sovtek 5881 - 6 x 12AX7)

  • 2 fully independent channels (Channel 1 - Clean/Channel 2 - Crunch)

  • Both Channels feature Volume, Gain, Bass, Middle, Treble, Presence

  • Dual Volume/Gain Channel 2 (switchable, allows for two gain settings with 2 volumes for level adjustment to match volumes)

  • Rear panel low frequency 3-position adjustment switch (allows for changing the amount and character of the bottom end - effects both channels)

  • 2 button footswitch included for access to Ch 1/2 or Ch2 A/B

  • Ohm selector switch for 4, 8 or 16ohm output.

  • Green LED's light the box for a distinctive look on stage, along with a unique silver vein front grille and etched zinc logo.

  • All components specifically spec'd and tested by Diamond before inclusion in the product.

  • Independent LED's indicate which volume/gain is active and whether the boost is engaged.

  • Properly designed, tube-driven effects loop (shorting jack so the loop will automatically engage when cables are plugged in and disengage when cables are removed).

  • Front panel Effects Return control that acts as an overall master when loop is engaged for quick overall volume adjustment.


ABOUT PHANTOM

The Phantom, built to the same quality construction as all our products, has a more traditional high gain structure. Take that favorite head of yours you’ve had for the last two decades, inject steroids and decongestants and you’ve got the Phantom, one of the deadliest fighter jets in the last 30 years. It features a clean channel and two distinct high gain settings in Channel 2.

Ranging from 80’s style gain to all out ferocity, Channel 2 also features DA’s signature dual volume/gain design. This feature gives the player the option of having two gain settings (say for a rhythm and lead tone, or more gain for chunky heavy gain-style rhythms and less gain for more precision and clarity when playing more staccato style passages) that are accessible to him on the fly.

The Phantom features DA's signature "low focus" switch on the rear panel. The low focus switch provides 3 positions - low, mid, high. Moving from low to high focuses the low end relative to the mids and highs as well as creates an evenness across all the strings to the high E is not overrung by the low E.

The Phantom also features a real, correctly-designed effects loop. You don't need a foot switch; you don't have to push a button. Just plug a cable into the effects send and the loop activates. The loop is tube buffered and will not affect your tone.

The front panel features a master volume, which reads E. Return (effects return). When the loop is on, the E. Return knob acts as the amp's overall master - turn this knob up or down to increase or decrease the amps overall volume. When the loop is off, each channel's volume control acts as that channel's master volume.

Like all current and future Diamond Amplification products, the Phantom features the highest quality components and construction. Every component was selected and tested for this head. The Phantom uses 6 12AX7 preamp tubes and 4 Sovtek 5881's for its power stage. Each part was personally spec'd and tested by us to ensure maximum performance and reliability, from the transformers to the switches and knobs.

The head features a hexagon pattern perforated metal grille made in 16-guage steel with a unique silver vein finish, and an accompanying black grille on the back of the exact shape and dimension, finished in black powder coating. Even the knobs are metal for look and feel. LED's are mounted in the box to give this head its distinctive green glow. Corner irons are included on every corner to add to the strength and stability of the box.

All its channels are foot-switchable from the Phantom's footswitch (connected with a stereo cable).


THE DIAMOND PROCESS

Diamond began with one goal--give the players the tone and features they need, with the durability necessary to stand up to the abuse of the road. Now Diamond is becoming the benchmark against which all other amplifiers are judged. Diamond’s iconic high-powered amplifiers have now paved the way for a top-down redesign of Class A and vintage redefined amplifiers, proving Diamond to be the all around choice for players of any class or genre.

Hand-crafted in Texas, Diamond builds amps one way - by hand and with the finest engineering available. Each amplifier goes through a 64 point quality control test to ensure reliability and consistency. Using only the finest components available, each amp is individually crafted to ensure you have the experience you want, an amp that delivers - every time - and is Guaranteed for Life.

Diamond products continue to occupy the summit of passionate desires and performance delivered to musicians worldwide as Diamond continues to reinvent what amplifiers should be. To own one is not just a privilege. It’s an invitation to both contentment and creation.

Diamond. It's what's on-stage.

$1,850.00
SKU 051421002

1994 Gibson Chicago-35 J-35 Vintage Sunburst J35 J-45 Acoustic-Electric Guitar

1994 Gibson Chicago-35 acoustic-electric guitar with a Vintage Sunburst finish. Overall in great condition and it is a fantastic player. Gibson produced the limited-edition Chicago-35 for only two years. It is a J-35 but with special high-end finishes, upgraded inlays, and a soft v-neck. The body features a Sitka spruce top with mahogany back & sides. It also has a factory-installed AccuVoice under-saddle pickup. A J-35 is essentially the same as a J-45 but with slightly different bracing patterns. The Vintage Sunburst finish on this is gorgeous and accentuates the beautiful wood grain in the top. The guitar weighs just 4.26 pounds. The string action is 2.72mm at the 12th fret. The neck thickness measures 0.825" at the 1st fret and 0.900" at the 9th fret.

Overall in great condition with some typical wear for its age. The top is still glossy and beautiful. There are a handful of dings throughout, and a few scuffs but nothing major. The bridge is solid and has no lifting. There is one very tiny 1" hairline split on the soundhole, but it stops at the internal bracing and does not continue past it. The binding all looks great. The back shows no noticeable worming, just scuffs and handling wear in the finish. The clear coat is starting to check off a little bit on the back seem, but it is purely cosmetic and can't be felt. The neck heel also has some light clear coat wear around the seam but again is only in the clear coat gloss coating, not in the underfinish. The back of the neck has minimal wear with only a couple wedding ring dings. The rosewood fingerboard looks great with some very light fingerwear. The frets have a small amount of visible fretwear on the first few frets but it is very minor. The frets have all been polished to a bright shine and there is a ton of fretlife. The nut is in perfect shape. The truss rod works and the neck is perfectly straight. The headstock has some light scuffs but all minor. The original tuners work perfectly. The electronic pickup is original and works great.

Includes the original hardshell case in very good condition. All latches work, as does the handle. The handle has a little bit of tearing in the leather covering but still works great. The exterior of the case has some scuffs from storage. The interior of the case is in good condition. Does not include any other accessories.

$1,999.00
SKU 051121001

1983 Mesa Boogie Mark II B 100-Watt 1x12" Combo Vintage Tube Amp Guitar Amplifier

1983 Mesa Boogie Mark IIB 1x12" Combo Tube Amplifier. This amp sounds outstanding and is loaded with features that were way ahead of its time. This one features a 60 or 100 watt switch, and a built-in power soak to allow for fantastic sounds at any volume. This amp is remarkable at clean, crunch, and high gain. There's really nothing it can't do. Everything works perfectly with zero issues. The power tubes have been replaced. The reverb is lush. The Celestion Sidewinder speaker is the perfect pairing for this amp. The rear power soak feature looks to be professionally installed. The amp has a bit of cosmetic scuffs and scrapes int he tolex covering throughout. The handle works perfectly. Includes a perfectly fitted flight case with built-in castors. Does not include any other accessories.

After phasing out the original Mark I combo, Mesa Boogie introduced a series of Mark II amps between 1978 and 1985. The Mark II was much like the Mark I in design and layout but with somewhat different circuitry. The Mark series progressed from the regular Mark I to the Mark II A and Mark II B, and then to the Mark II C and C+.
Years of Production:
 1980 - 1985
Electronics: 60 or 100 watts, 1 x 12-inch speaker
Controls: Volume 1, Volume 2, Master, Treble, Bass, Middle
Notable Players: Ron Wood, Carlos Santana, Keith Richards

$1,499.00
SKU 051021002

1967 Martin 0-18 Natural Parlor Vintage Acoustic Guitar

1967 Martin 0-18 Acoustic Guitar with a Natural finish. This is a great playing vintage Martin with a great sound. It's in very good condition for its age. This was made in early January 1967, before they changed the pickguard from tortoise shell to black. The string action at the 12th fret is currently set to 3.0mm. It weighs just 3.44 pounds and has a 1.70" nut width. The neck thickness measures 0.839" at the 1st fret and 1.010" at the 9th fret.

Overall great condition. The Spruce top has aged nicely and looks great. There is a little bit of typical finish checking throughout that only shows up under intense direct lighting. The top has one very small crack near the pickguard that has been braced underneath. There's also a bit of fingerwear between the pickguard and the soundhole. Other than that, the body is in fantastic condition. The previous owner had a pickup input jack installed on the side but the pickup has been removed. The bridge doesn't show any lifting. All binding looks great. There's a handful of small scuffs throughout but nothing major. The back has minimal worming.  The neck joint looks solid with no issues. The back of the neck has some finish wear and a handful of wedding ring marks but still smooth and glossy. The neck is perfectly straight and has the perfect amount of neck relief. The rosewood fingerboard looks good and has minimal fingerwear near the first two frets. The original frets look outstanding and have just a tiny bit of wear on the first couple frets. All frets have been polished to a bright shine and there is no buzzing anywhere. The headstock is very clean with no dings or scuffs. The original tuners work perfectly and do a great job at keeping a tune.

Includes the hardshell case in very good condition. The case looks to be period correct and likely original. The case hardware has some oxidation but all latches work, as does the handle. The exterior of the case has some light scuffs from storage. Does not include any other accessories.

Martin 0-18

Built in Martin's Nazareth, PA workshop, the 0-18 was smaller than the 00-18 and the 000-18, but larger than earlier parlor-style guitars. Like other 18 series Martins, the 0-18 is defined by a Mahogany body (starting in 1917), Spruce top, and minimal cosmetic flourishes. Also like many classic Martins, the design of the 0-18 changed little from the World War II era until production ended in the mid-'90s.
Years of Production: 
1898 - 1996
Wood Composition: Mahogany back and sides, Spruce top, Mahogany neck, Rosewood fingerboard
Design Elements: Tortoiseshell pickguard, unbound fingerboard, 14-frets (clear of body)

$3,299.00
SKU 050321001

1994 Takamine No. 5 Classical Nylon Natural Acoustic Guitar

1994 Takamine No. 5 Classical Nylon Natural Acoustic Guitar. Overall in excellent condition with only light handling wear for its age. The craftsmanship on this is outstanding. Takamine was making some excellent guitars during this time. It features Indian Rosewood back and sides, a Cedar top, and an Ebony fingerboard. There is zero fretwear, and no cracks. The neck is perfectly straight and the action is set to a medium 4mm on the low E. Action can be easily lowered if desired. No issues with the bridge. The back has some light scuffs that show up under direct lighting. The ebony fretboard is in excellent condition with just light fingermarks. The guitar weighs just 3.69 pounds and has a 2.00" nut width. String spacing is 2.26" at the bridge. The neck thickness measures 0.835" at the 1st fret and 0.990" at the 12th fret. Does not include a case or any accessories.

$925.00
SKU 042821002

2015 Dean USA Custom Shop Rusty Cooley 7-String Xenocide Electric Guitar

2015 Dean USA Custom Shop Rusty Cooley 7-String Xenocide Electric Guitar. This guitar is in overall excellent condition and plays great. It is perfectly setup and has zero issues. The custom graphic finish looks really cool. It has a very thin neck for ultra fast playing. It weighs just 8.12 pounds and has a 1.90" nut width. The neck thickness measures 0.747" at the 1st fret and 0.762 at the 12th fret.

Overall great condition. There is little wear on this guitar considering its age. The top is very clean with only one very tiny finish checking mark near the pickup selector switch. All hardware is immaculate. The back of the body is glossy black and shows some typical light scratches commonly found on all glossy black guitars. The rear tremolo cover is not included. A tremolo lock has been added to keep the Floyd Rose in place, but can be easily removed. The back of the neck is smooth with no marks. The Ebony fingerboard looks great. The frets have zero fretwear. The neck is straight and the truss rod works. The headstock is perfect and all tuners work. All electronics are original and have no issues.

Includes the original hardshell case in good overall condition. The exterior of the case has some scuffs from storage. The interior of the case is in excellent condition and fits the guitar perfectly. The handle works. The two outside locks latch, but are very difficult to open. You need to pull very hard to get the latches to release. The middle latch works fine.

Dean USA Custom Shop Rusty Cooley 7-String Xenocide

The speedy shredder wanted the Rusty Cooley 7-String Xenocide electric guitar to have a maple neck with an ebony fretboard and Cooley custom neck profile, 24 fast frets with Pearl Xenocide inlays, and a 25.5" scale to facilitate wicked, shredding solos, and lightning-quick chord changes. Dual EMG-707 active humbuckers use 2 alnico magnet coils with a wide aperture to maintain a beefy low end and a fat top for loads of output, while the Floyd Rose Original locking trem unleashes harmonic-squeal madness. USA made. Includes case.

2 powerful active EMG-707 humbuckers
The 707 uses two alnico magnet loaded coils with a wide aperture to maintain a beefy low end and a fat top end. Because of a more natural tone, it has loads of output but isn't muddy.

Features

  • Ash body
  • Ash top with graphic finish
  • Maple neck
  • Bolt-on Cooley custom neck profile
  • 25-1/2" scale
  • Ebony fingerboard
  • 24 frets
  • Pearl Xenocide inlays
  • EMG-707 7-string bridge humbucker
  • EMG-707 7-string neck humbucker
  • Black hardware
  • Black dome knobs
  • Floyd Rose Original trem
  • Grover tuners
  • Includes case
$1,899.00
SKU 042821001

2006 Taylor 914ce Natural Grand Auditorium 914-ce Acoustic Electric Guitar

2006 Taylor 914ce Acoustic-Electric Guitar with a Natural finish. This is a stunning guitar that sounds absolutely superb. It has immense projection and is a delight to play. The Expression System pickup system sounds very good. The guitar weighs just 5.06 pounds. The string action at the 12th fret is set to a nice 2.32mm and there is no buzzing anywhere. The neck thickness measures 0.837" at the 1st fret and 0.876" at the 12th fret.

Overall in good condition. The top has finish checking that is only in the clear coat. Other than the few finish checking marks, the top is very clean with only one tiny ding near the lower bout. The body has some light handling marks throughout. The bridge is perfect with no issues. The binding is all immaculate. The back of the body has one very small checking crack that is very difficult to see, let alone photograph. The neck joint is perfect. The back of the neck has a few tiny wedding ring dings that can't be felt while playing. The ebony fingerboard has some light fingermarks. The frets have some fretwear on the first few frets. No issues with the nut. The headstock is clean with no dings. The tuners work perfectly. The built-in Expression System pickup works great with no issues.

Includes the original hardshell case in good condition. All latches work, as does the handle. The exterior of the case may have some light scuffs due to storage. The interior of the case is in very good condition and fits the guitar perfectly. Does not include any other accessories.

 

Taylor's 900 Series is the company's highest spec offering, with Engelmann Spruce tops, Indian Rosewood back and sides, and high levels of ornamentation, including "Cindy" style abalone inlays.
Years of Production: 2002 - present

  • Model: 914CE
  • Finish: Natural gloss
  • Body Style: Grand Auditorium with venetian cut-away
  • Back & Sides: East Indian Rosewood
  • Top: Engelmann Spruce
  • Rosette: Abalone ring
  • Neck: Tropical American mahogany
  • Fretboard: Ebony with binding, 20 frets, 15″ radius
  • Fret Inlays: Pearl 900 series ("Cindy" style)
  • Headstock Overlay: Ebony with binding
  • Binding: Top, back, fretboard & headstock
  • Bridge: Ebony with mother-of-pearl inlay
  • Nut: Tusq, 1-3/4” width
  • Saddle: Micarta
  • Tuners: Gotoh 510 Gold
  • Scale Length: 25-1/2″
  • Truss Rod: Adjustable
  • Electronics: Expression system
$2,950.00
SKU 042721001

2007 Alembic Stanley Clarke Signature Deluxe 5A Quilted Maple Top Bass Guitar

2007 Alembic Stanley Clarke Signature Quilted Maple Top Bass Guitar in Like-New Mint Condition. This is a world-class stunning bass that has only seen a few hours of playtime and shows zero wear. There is not a single mark on this beautifully crafted instrument. This features a Quilted Maple Top, brass backplates, and optional LED side dots. There is a factory switch that turns on the fingerboard's LED side dots. The bass weighs 10.37 pounds, which is lighter than average for these. The neck thickness measures 0.788" at the 1st fret and 0.867" at the 12th fret.

This bass was previously owned by Joey DeMaio from MANOWAR, and he only used it for a bit in the studio. Joey DeMaio had his world-renown tech, the late John "Dawk" Stillwell, replace the pickups with Lace Aluma Bass Bar pickups and bypass the EQ. Each pickup is now wired to its own input jack, and the master volume controls both pickups. The original electronics are still installed and are only bypassed. Everything else is entirely original.

Includes the original hardshell case in perfect working condition. All latches work, as does the handle. The exterior of the case may have some light scuffs from storage. The interior of the case is in good condition. Includes some adjustment tools, strap locks, case keys, and original pickup screws. The original pickups are not included.

The Alembic factory is located just 30 minutes from us in Sonoma County, CA!

Stanley Clarke Signature:

It was 1973 and Stanley Clarke just got his first short scale Alembic. Your world changed the first time you listened to it, and you just couldn’t get that sound out of your head. That sound was Stanley’s amazing talent and tone. Part of that sonic memory was because he was playing an Alembic bass, and it may have been the first time you ever heard one.

When you pick up a Stanley Clarke Signature bass you immediately notice how easy it is to play. That's largely due to the short scale length. At 30.75 inches, the scale length is exactly what Stan plays, to the surprise of many. When the frets are closer together, your fretting hand can enjoy a less stretched position at the lower frets, which is a joy for hands large and small alike.

The Stanley Clarke Signature basses are also natural choices when you want to tune tenor or piccolo style. But don't think for a minute that this little bass can't handle standard tuning like a champ, with plenty of low-end and sustain. Ideas you may have about short scale basses through your past experience with other makers will be reset once you play an Alembic short scale.

Alembic is the original custom shop, and these standard features are but a springboard for your own ideas. All aspects of our basses are crafted under one roof, and any feature can be custom made to your specifications.

FEATUREDELUXE
Scale length 30.75 in
Fingerboard Ebony with mother of pearl inlays
Nut width 1.5 in
24th fret width 2.15 in
Peghead Alembic Crown
Truss rods dual, body adjust
Top and back Coco Bolo or Quilted Maple
Body wood Mahogany
Sandwich Coco Bolo, Maple, Mahogany, Maple, Coco Bolo
Body depth 1.55 in
Finish Polyester gloss with satin neck
Pickups Lace Aluma Bass Bar 3.5
Controls volume, pan, filter x2, 2‑position Q‑switch x2
Backplates Brass
Bridge Solid brass, polished
Tailpiece Solid brass bird
Nut height adjustable solid brass
Machine heads Gold Alembic‑Gotoh
Average weight 10.75 pounds (Actual weight = 10.37 pounds)
Overall dimensions About 13.5″ x 43″
Origin 100% Made in Santa Rosa, CA USA

John "Dawk" Stillwell:

"Dawk worked closely with Richie Blackmore of Deep Purple & Rainbow throughout the 70’s - 80’s servicing, maintaining & Modding amps as well as working on gear for the whole band. He also worked with Tony Iommi of Black Sabbath during the Ronnie James Dio era. He also worked with such acts as Bruce Springsteen, Bon Jovi & in his final years & perhaps one of his longest stints was with the band Manowar

He had a very special relationship with Jess Oliver of Ampeg. Jess took a liking to Dawk & soon took him under his wing. They remained close up until the day Jess passed on. He had given Dawk all of his original schematics & technical notes that he had drawn up including schematics of the amps Jess designed after he left Ampeg.

Dawk was also one of the first techs to work on Marshalls when they made their way to the states. He provided a great deal of technical support to Marshall & he was the first amp tech to install 6550’s as Marshall was having trouble with the reliability with EL34’s at the time. Marshall adopted Dawk’s suggestion & began shipping their amps with 6550’s, which proved to be more reliable until the quality of EL34’s later improved"

 

MANOWAR:

MANOWAR´s influence in the Rock Music industry is undeniable.

During their impressive career they have left their mark in the Heavy Metal genre thanks to a combination of unique craftsmanship and characteristic songwriting. With unrivaled conviction, persistence, and the courage to unflinchingly pursue their own way, the band has weathered even the most unconquerable challenges. In an age of casting show “talents” and flimsy one-hit-wonders this band gives their fans what they love them for: the massive, powerful soundtrack of their lives, songs that celebrate the audacity of the individual and the spirit of the community.

The band has earned numerous gold and platinum awards and completed more than 35 tours headlining venues that have averaged between 10,000 and 50,000 sold-out seats.

MANOWAR’s unparalleled loyal following all over the world is reflected in their live events. For example, fans from more than 40 nations traveled to celebrate the Magic Circle Festival in Germany. As a tribute to their devoted international following, MANOWAR’s 2009 release ‚Thunder In The Sky’ achieved another first in Heavy Metal history by recording the power ballad, “Father” in 18 different languages (and counting).

$6,440.00
SKU 042321001

2003 Jon Hill Huntington Elite USA Custom American Boutique Bootleg Active Bass Guitar

2003 Jon R Hill Huntington 4-string Active Bass Guitar with a Natural finish in Mint Condition. Jon R Hill guitars is now known as Bootleg Guitars, which was formed in 2010. This is a beautifully crafted custom bass that rivals the best from Alembic, Fodera, and other high-end basses. It it is in like-new mint condition with zero wear. It features active 3-EQ Bartolini PJ pickups with push/pull on the volume control. It weighs an astonishingly-light 7.81 pounds. The neck thickness measures 0.746" at the 1st fret and 0.810" at the 12th fret.

This gorgeous bass is in like-new flawless condition with zero wear anywhere. Includes an Ameritage Custom hardshell case in good working condition. All latches work, as does the handle. Does not include any other accessories.

Brand: Jon R Hill
Model: Huntington
Year: 2003
Neck: 5-piece
Neck Thickness: 0.746" 1st fret, 0.810" 12th fret.
Fingerboard Material: Wenge
Fingerboard Radius: 14
Pickups: Bartolini PJ
Electronics: Active 3-EQ; Push/Pull Volume
Scale Length: 35"
Frets: 24
Bridge: ABM
Bridge String Spacing: 2.27"
Tuners: Schaller
Nut Width: 1.55"
Nut Material: Brass
Case: Ameritage Custom Hardshell

Serial Number Identification: As of May 2003, Jon Hill established a new serial number system. The 1st character is a letter, (“A” for example). This denotes the year built. “A” for 2003, “B” 2004, etc. The next two characters are the month (’03’ for March,’12’ for December). Then the actual number of the instrument – ‘085’, for example.

$2,299.00
SKU 042121001

1977 Ibanez Bob Weir 2680-NT Professional Natural MIJ Vintage Electric Guitar

1977 Ibanez 2680 NT Bob Weir Signature electric guitar with a Natural finish. This beautifully crafted vintage guitar was made in FujiGen and has top notch build quality. It is all original except for the upgraded vintage DiMarzio Super Distortion and PAF pickups, an added switch for coil-splitting the pickups, and black knobs. Everything else is original. It's a great playing guitar that sounds excellent. It weighs 9.47 pounds. The neck thickness measures 0.821" at the 1st fret and 0.891" at the 12th fret.

Overall in great condition for its age. It features a single-piece ash top that has great wood grain. The top is bright and shiny with no noticeable marks other than light surface marks that can only be seen under intense direct lighting. The gold bridge has some natural patina. The top's binding looks good with no major discoloration, just some finish checking near fretboard. The sides have a few small scrapes and checking. The back of the body has just light marks. The back of the neck is free of any marks and is still glossy and smooth. The neck is perfectly straight and the truss rod works. The ebony fingerboard is in good condition, as is the fretboard binding. The original frets have just light wear on the first few frets. All fret binding nubs are intact. The frets have just been polished to a bright shine. The headstock is in good condition. All tuners work with zero issues. One tuner knob is slightly bent but can be bent back. All electronics work perfectly with zero issues.

Includes the original hardshell case in good condition. All latches work, as does the handle. The exterior of the case has typical scuffs from storage. The interior of the case is in very good condition and holds the guitar very well. Does not include any other accessories.

IBANEZ 2680 BOB WEAR SIGNATURE GUITAR

The 2680 is an Artist series solid body electric guitar model introduced by Ibanez for 1975. It was made in Japan by FujiGen. It is a signature model created for Bob Weir of the American rock band Grateful Dead.

The 2680 features a carved ash top with German carve edges, abalone purfling and cream binding on a double-cutaway ash body mated to a set-in maple neck with a large scroll headstock, 22-fret ebony fingerboard with binding and mother of pearl dot position markers. Components include a pair of Super 70 humbucking pickups mounted in black pickup rings with individual volume and tone controls, a Tune-O-Matic style bridge and stop tailpiece, speed knobs with pointers and Smooth Tuner machine heads.

For 1977 the Gibraltar bridge with sustain block embedded in the body and the slotted Gibraltar tailpiece with scalloped "cloud" ornament were introduced, along with new Super 80 "Flying Finger" pickups, a bone and brass nut and VelveTune machine heads. For 1978 the knobs were replaced with Sure Grip knobs with rubber grip insert.

The 2680 was discontinued in 1980.

$1,799.00
SKU 041921001

1983 Fender Elite Stratocaster Wild Cherry American Vintage Eric Clapton Electric Guitar

1983 Fender Elite Stratocaster with a rare Wild Cherry finish. This vintage strat is in unbelievable condition for its age. It has zero fretwear and has been kept in immaculate condition all its life. It is all original with zero modifications except for the removal of the Lockset string tree. This is a rare guitar, with an even rarer Transparent Wild Cherry Burst finish on a 1-piece Alder body. It has very unique features that later made its way into Eric Clapton's signature guitar. The guitar weighs 10.44 pounds. The neck thickness measures 0.817" at the 1st fret and 0.890" at the 12th fret.

Overall excellent condition. There is zero visible actual playwear. The top of the body is bright and shiny with no scratches. All hardware is immaculate and there are no apparent scratches in the pickguard. There is some very fine surface marks on the side of the body that only show up under intense direct lighting. There is one chip in the paint on the upper bout edge of the body. The back has no visible worming. The back of the neck is smooth and clean with minimal wear. The rosewood fingerboard looks new. The original jumbo frets have zero fretwear and all frets have just been polished to a bright shine. The neck is perfectly straight and the truss rod works. No issues with the nut. These guitars had an optional Lokset locking string tree that was removed and is no longer included, and the original 3 screw holes are visible. The headstock has some scuffing around the edge. All tuners work perfectly. All electronics are original, and all potentiometers date to 1983.

Includes the original hardshell case in good working condition. All latches work, as does the handle. The exterior of the case has one large chip missing from the corner edge. The interior of the case is in good condition. Includes the original case keys and the pop-in tremolo bar. Does not include any other accessories.

 

Elite Stratocaster (Mid 1983-1/1985)
USA - Elite Series

The Elite Stratocaster was an effort to integrate active electronics into an upgraded Stratocaster design.  While sharing many elements with a traditional Stratocaster, the Elite used a different tremolo bridge, individual push pickup selectors and EQ-boosting TBX and MDX circuits. The Elite was only produced for two years, but the later Stratocaster Plus does share some features with it.
Body Style: Double cutaway solidbody
Years of Production:
1983 - 1984

Model info: While the 1983 revised version of the Standard Stratocaster seemed to be a step backward, the Elite was designed to represent a step forward. Like the revised Standard, it also incorporated the Freeflyte tremolo system. Other features included three Alnico II pickups, 1 volume and 2 tone control knobs, push button pickup selectors (instead of the usual selector blade), active MDX (mid-range) and TBX (high-range) electronics (making it battery operated, so to speak), and a flat 12″ fingerboard radius. The output jack was located on the side of the body instead of the top. Of perhaps more significance was the Elite’s introduction of the Biflex truss rod system that allows for concave or convex adjustments without reliance on string tension.

MODEL NUMBER
10-1200-(color#): rosewood ftb.
10-1202-(color#): maple neck
10-1222-(color#): left handed, only maple neck and (506) and (532) color
10-1204-(color#): hard-tail, rosewood ftb.
10-1206-(color#): hard-tail, maple neck

BODY
Body Material: Alder
Body Finish: Polyurethane (but sometimes laquer color coat); Polyester
undercoat
Body Shape: Stratocaster; Special front rout

NECK
Neck Material: Maple
Neck Shape: New flatter neck shape
Scale Length: 25.5" (648 mm)
Fingerboard Material: Maple or Rosewood
Fingerboard Radius: 12" (305 mm)
Number of Frets: 21
Fret Size: Jumbo
Nut, optional: Lokset Nut (alias Fender fine-tune nut)
Nut Width: 1.7" (43.2 mm)
Position Inlays: Black dot (maple), White dot (rosewood); Narrow Spacing
Truss Rod: BiFlex
Skunk Stripe: Yes
Tilt Neck

HEADSTOCK
Type: "Smith" headstock
Logo: Modern Logo, CBS style
Other Decals, front: "STRATOCASTER", "MADE IN U.S.A.", serial

ELECTRONICS
Bridge Pickup: Covered, Flush Poles, Alnico II
Middle Pickup: Covered, Flush Poles, Alnico II
Neck Pickup: Covered, Flush Poles, Alnico II
Dummy Coil between middle and bridge pickup
Controls: Master Volume, TBX, MDX (early models +6dB, since 1984 higher)
Push/pull pickup selector switches, #3: 1. (neck), 2. (mid), 3. (bridge)
Configuration: SSS

HARDWARE
Bridge: Freeflyte tremolo, Die-Cast, w/pop-in arm
Saddles: Elongated Saddles
Tuning Machines: Schaller Die-Cast "Fender"
String Tree: Ezy Glider, #2
Hardware Finish: Chrome
Pickguard: Elongated shape, White, 3-Ply, 11 screws
Back Plate: None
Control Knobs: White plastic w/rubber ring, "F"
​Switch tip: None
Tremolo bar Tip: Chrome
Neck Plate: 4-Bolt, "Fender elite"

COLORS
(506) Black, (521) Natural, (531) Sienna Sunburst, (532) Brown Sunburst,
(543) Pewter, (580) Arctic White, (502) Lake Placid Blue, (509) Candy
Apple Red, (542) Aztec Gold, (545) Candy Apple Green, (546) Emerald
Green (trasparent), (547) Wild Cherry (trasparent), (550) Bronze
Stratoburst, (551) Black Stratoburst, (552) Blue Stratoburst

MISCELLANEOUS
Strings: .010 to .046

ACCESSORIES
Voyagair Case

COMMENTS
Only a single, front-sided rout on the guitar to accommodate the
pickups, the tremolo, the preamp and the controls
Side-mounted input jack

$1,899.00
SKU 041221001

2009 Taylor T3 Black Semi-Hollowbody Electric Guitar

2009 Taylor T3 with a Black finish in like-new mint condition. This guitar has zero wear. This guitar appears to be a B-stock factory second that has never been played before. There is less wear on this than any new guitar hanging on the wall at your local music store. Everything works and is in perfect condition. The back of the headstock is stamped USED meaning it could have had a cosmetic flaw, but there is nothing to be found. Taylor also updated the serial number. It is surprising to see a 12-year-old glossy black guitar with no marks. It weighs just 8.16 pounds. The neck thickness measures 0.817" at the 1st fret and 0.866" at the 12th fret. Includes the original hardshell case in good working condition. Does not include any other accessories or paperwork.

 

High performance electronics and signature Taylor design.

Inspired by both the T5 and the SolidBody, Taylor takes the classic semi-hollowbody sound and applies signature Taylor design touches to the T3. This model has a maple top finished in elegant black.

Electronics include Taylor's high-fidelity full-size Vintage Alnico humbuckers, blended with a unique coil-splitting application to give players killer humbucker and single coil sounds in one guitar. The T3 features a metal roller bridge paired with stop tailpiece. Includes hardshell case.

The HD (high definition) humbuckers reflect two Taylor design developments. They've altered the focus and direction of the magnetic flux with a new type of magnet and brewed up a secret recipe for the windings. This results in pickups that produce the sweet sound of vintage humbuckers with increased dynamic range and output.

The T3 incorporates enhanced electronics that include coil-splitting activated by pulling up the volume control. Taylor designer David Hosler talked about the thinking that went into the tone control circuit. "Many guitarists have learned not to expect much from a tone control. We decided to do something to make it useful. When pulled up, the T3' tone control adds a second capacitor to the circuit creating a quasi-parametric sweep throughout the range of the control. Players can use the boosted mids to add a little warmth to the single-coil or mellow out the humbuckers for an even jazzier tone without squashing it into a muddy sound."

Features

Body
  • Body shape: Single cutaway
  • Body type: Semi-hollow or chambered body
  • Body material: Solid wood
  • Top wood: maple
  • Body wood: Sapele
  • Body finish: Gloss
  • Orientation: Right handed
Neck
  • Neck shape: C shallow
  • Neck wood: Sapele
  • Joint: Set-in
  • Scale length: 24.86"
  • Truss rod: Standard
  • Neck finish: Gloss
Fretboard
  • Material: Ebony
  • Radius: 12"
  • Fret size: Medium jumbo
  • Number of frets: 21
  • Inlays: Dot
  • Nut width: 1.687" (42.8mm)
Pickups
  • Configuration: HH
  • Neck: HD humbucker
  • Bridge: HD humbucker
  • Brand: Taylor
  • Active or passive: Passive
  • Series or parallel: Series
  • Special electronics: Volume control with coil split
Controls
  • Control layout: Master volume, tone
  • Pickup switch: 3-way
  • Coil tap or split: Coil split
Hardware
  • Bridge type: Fixed
  • Bridge design: 6-saddle roller
  • Tailpiece: Stopbar
  • Tuning machines: Taylor nickel
  • Color: Chrome
Other
  • Number of strings: 6-string
  • Special features: Pickups
  • Case: Hardshell case
  • Accessories: None
  • Country of origin: United States
$1,399.00
SKU 040621002

2010 Fodera NYC Empire 4 Deluxe Active Custom Shop USA Boutique Jazz Bass Guitar

2010 Fodera NYC Empire 4 Deluxe bass guitar with a flame maple Transparent Orange Burst finish. This is a stunning instrument with extremely high build quality. It is in near-mint condition. There is less wear on this bass than anything hanging on the wall at your local music store. It's all original with zero modifications. It is setup perfectly and sounds fantastic. There is a ton of versatility with the 18v active electronics. The bass weighs just 9.75 pounds. The neck thickness measures 0.782" at the 1st fret and 0.899" at the 12th fret.

This gorgeous bass has very little playwear, and just some very faint handling wear. There is one very tiny ding on the lower side edge. Any other wear would only be visible under intense direct lighting. The back of the neck is clean and smooth with no marks. The rosewood fingerboard looks new and the frets have zero fretwear. All frets have just been polished to a bright shine. The neck is perfectly straight and the truss rod works. The headstock is immaculate. All tuners work perfectly. All electronics are original and everything works with zero issues.

Includes a non-original aftermarket Momo softshell gig bag that fits the bass well. The gig bag has just light exterior wear from storage. Does not include any other accessories.


FEATURES:
Premium book-matched Flame Maple Top
Transparent Orange Burst Finish
Ash body selected from Fodera's aged stock
Urethane high-gloss finish
21 Frets
34" Scale Length
Fodera Bridge with 19mm spacing
Mike Pope-Fodera 2-Band Active Electronics
Fodera designed Seymour Duncan JJ Pickups
One-piece hard rock maple neck
Indian Rosewood fretboard
Block Mother of Pearl inlays
Bound fretboard
1.5" nut width
Large fret size
Maple peghead vaneer
9.75 lbs

$3,499.00
SKU 032521001

Peavey Black Guitar Strap

Used Peavey Black Guitar Strap in good condition. Has some light wear.

$4.99
SKU 031521004

D'Addario Planet Waves Capo Adjustable Tension

Used D'Addario Planet Waves Capo in good working condition.

$9.99
SKU 031521003

1975 Electro-Harmonix Golden Throat Talk Box Mouth Tube Vintage Original Guitar Pedal

1970's Electro-Harmonix Golden Throat Talk Box pedal. It works perfectly and sounds excellent. This is the best talk box you can buy. This is the original very first version. Includes a brand new tube. The pedal shows wear and tear, with dings and scuffs throughout. The red cover for the overload light is missing.

- This pedal connects between your amp and your speaker.
- When engaged, sound to your speaker is bypassed and all audio from your amp passes through the tube.
- Stand in front of a microphone and place the tube in your mouth. Different shapes you make with your mouth result in a very unique Wah effect. The microphone amplifies the sound.
- The built-in overload light lets you know if your amp is sending too much power to the pedal. Turn down your amp if the light turns on.

$399.00
SKU 031121001

2006 Gretsch Broadkaster G6119B Walnut Hollow Body Electric Bass Guitar

2006 Gretsch Broadkaster G6119 Hollow Body Electric Bass Guitar with a Walnut Stain finish. It is all original, plays great, and sounds awesome. The craftsmanship is top notch. It weighs just 7.98 pounds. The neck thickness measures 0.836" at the 1st fret and 0.945" at the 12th fret.The bass is in overall very good condition with a lot of cosmetic handling wear. The body his very glossy and there's a tiny bit of clouding in a couple areas. The hardware looks good with a bit of patina. There are a few dings and scuffs throughout. The back of the body has some light worming. The back of the neck is clean and smooth with no issues. The fretboard looks great. The frets have just been polished and have only the tiniest amount of wear. The headstock looks good with no dings. The neck is perfectly straight and the truss rod works. The tuners work perfectly. All electronics are original and work great with no issues.Includes the original hardshell case in good condition. 2 of the 6 latches do not work, but the 4 good latches hold the lid shut. No issues with the handle. The exterior of the case has scuffs from storage. The interior of the case looks good with no issues. Does not include any other accessories. 

G6119B Broadkaster® Bass

Styled after the Tennessee Rose™ guitar and classic Gretsch® basses of the 1960s, the Broadkaster® bass has two Filter’Tron™ bass pickups and delivers the full, round tone that only comes from a great hollow-body instrument. Features include bound single-cutaway body with arched top and bound f holes, three-piece maple neck with bound rosewood fingerboard and Neo Classic™ thumbnail inlays, silver plexi pickguard and “G”-cutout tailpiece.

SPECIFICATIONS:

General
Model Name
: G6119B Broadkaster® Bass
Series: Professional Collection
Color / Part # : Walnut Stain 241-6000-892  

Body
Body Shape
: Broadkaster®
Body Back: Laminated Maple
Body Sides: Laminated Maple
Body Top: Arched Laminated Maple
Body Finish: Gloss Urethane, Gloss Urethane
F Holes Sound Holes: Bound Oversized F-Holes
Body Depth: 2.5" (63.5mm)
Body Width Lower Bout: 16" (40.64 cm)
Body Binding: Multiple  

Neck
Number of Frets
: 22
Position Inlays: Neo-Classic™ "Thumbnail"
Fingerboard Radius: 12" (305 mm)
Fretboard: Rosewood
Neck Material: Maple
Nut Width: 1.6875" (42.8 mm)
Scale Length: 30.3" (770 mm)
Neck Binding: Bound Fingerboard  

Electronics
Pickup Configuration
: HH
Bridge Pickup: Filter'Tron™ Bass
Neck Pickup: Filter'Tron™ Bass
Pickup Switching: 3-Position Toggle: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
Controls: Master Volume, Master Tone  

Hardware
Hardware Finish
: Chrome-Plated
Bridge: 4-Saddle Adjustable
Bridge Cover: Gretsch® G-Cutout Tailpiece
Tuning Machines: Die-Cast
String Nut: Synthetic Bone  

Miscellaneous
Unique Features
: Neo Classic "Thumbnail" Inlay Position Markers, Black Headstock Overlay, Bound Fingerboard, Multiple Body Bindings, Oversized Bound F-Holes, Silver Plexi Pickguard, Knurled Strap Retainer Knobs, Adjustable Truss Rod

Accessories
Case Gig Bags
: Deluxe Hardshell
Included Accessories: Includes G6248 Deluxe Hardshell Case
Control Knobs: G-Arrow

$1,450.00
SKU 031021002

1994 Fender MB-4 Chrome Red MIJ Jazz Precision PJ Bass Guitar

1994 Fender MB-4 Bass Guitar with a metallic gloss Chrome Red finish. This is a great playing bass and sounds excellent. It is extremely light, weighing in at just 7.11 pounds. It has zero issues and has just been setup. It has a 1.56" nut width and a 34" scale length. The neck thickness measures 0.795" at the 1st fret and 0.927" at the 12th fret.

It is in overall very good condition for its age. There are typical dings and scuffs present throughout but nothing major. The back of the neck has a few wedding ring marks that can't be felt while playing. The rosewood fretboard looks great. The frets have been polished and show only minimal fretwear on the first few frets. The headstock has a few scuffs around the edges. The tuners look like new replacements and work perfectly. There are two tiny screw holes added to the back of the headstock next to one of the tuners, likely a strap button. All electronics work with zero issues. There is a tiny bit of oxidation on the pickup poles. Does not include a case or any accessories.

Fender MB-4 (JAPAN MFG. NO. 025-4700)
- Offset double cutaway basswood or poplar body, slightly similar in design to the Precision Bass with narrower bouts.
- Bolt-on maple neck.
- 22-fret rosewood fingerboard with pearl dot inlays.
- Thin headstock with black overlay.
- Two-per-side tuners.
- Standard bridge with adj. saddles.
- One P-style and one J-style pickups.
- Three knobs (v, tone, pan).
- Jack on face of guitar.
- Chrome hardware.
- Mfg years: 1994-1995.

$925.00
SKU 031021001

2018 Cole Clark Fat Lady 2 FL2EC-BB Cutaway Dreadnought Acoustic-Electric Guitar

2018 Cole Clark Fatlady 2 FL2EC-BB Acoustic-Electric Guitar. This stunning guitar was made in Australia and has outstanding build quality. It is in excellent near-mint condition with no visible wear. There is zero fretwear. It weighs just 4.76 pounds. The widest part of the body measures 16" wide and the thinnest part of the body measures 11" wide. The body is 4.25" deep. The neck thickness measures 0.751" at the 1st fret and 0.900" at the 12th fret. String action is set to 2.5mm at the 12th fret. Includes the original hardshell case in excellent condition. Does not include any other accessories.

Product Specifications

  • All solid timber cutaway dreadnought with internally carved top and back
  • Made entirely from sustainably sourced timbers
  • Cole Clark 3-way pickup system
  • Finish: Nitrocellulose (natural satin)
  • Neck: Queensland Maple
  • Top: AA grade Bunya
  • Back and sides: AA grade Australian Blackwood
  • Inlaid timber binding, purfling and rosette
  • Bridge/Fretboard: She Oak
  • Inlays: Snowflake
  • Machine Heads: Grover
  • Nut/Saddle: Graph Tech Tusq
  • Nut Width: 44mm/1.73″
  • Radius: 12″
  • Scale length: 25.5″
  • Cole Clark hardcase – Tweed
$1,660.00
SKU 030921004

1965 Conrad Bison Model 1244 Sunburst Vintage Matsumoku MIJ Japan Electric Guitar

Mid-to-late 1960's Conrad Bison Model 1244 electric guitar with a beautiful Red burst finish. This is a great playing vintage Matsumoku guitar and it sounds fantastic. Conrad guitars were made by Matsumoku and imported from Japan by David Wexler of Chicago IL. It is all original with no modifications. It weighs 6.7 pounds, has a 1.671" nut width, and a 25.5" scale length. The neck thickness measures 0.945" at the 1st fret and .993" at the 12th fret.

This vintage guitar is in overall great condition with minimal wear for its age. There's a few dings and scuffs around the edges. Very minimal worming on the back. The back of the neck is glossy and smooth. The rosewood fingerboard looks great. The frets have been polished and there's just light fretwear on the first few frets. The neck is straight and the truss rod works. The headstock is in good condition with a couple scuffs around the edge. The tuners work great. All electronics work perfectly. Does not include a case or any accessories.

$460.00
SKU 030821003

2020 Fender Custom Shop Stratocaster Classic Player Black NOS Electric Guitar

2020 Fender Custom Shop Stratocaster Classic Player with a NOS Black finish. In overall great condition with some visible handling wear typical with any glossy black guitar. The original noiseless pickups were upgraded to new 2020 Fender Custom Shop Texas Special pickups with 250K potentiometers and a white pickguard. The tuners were replaced at one time, but the original Sperzel locking tuners are back on and holes filled. Everything works perfectly, sounds excellent, and plays great. The guitar weighs 7.83 pounds. The neck thickness measures 0.848" at the 1st fret and 1.086" at the 12th fret.

Includes the original hardshell case in excellent condition. All latches work, as does the handle. Also includes the original Certificate of Authenticity COA. Does not include any other accessories or parts.

2020 Fender Custom Shop Stratocaster Classic Player

Model Name: Classic Player Stratocaster® “C” Neck (New)
Model Number: 0155700806
Series: Custom Shop Contemporary Series
Body: Alder
Neck: Lightly Figured Maple (Soft “C” Shape)
Fingerboard: Rosewood 015-5700 with Abalone Dot Inlays, (9.5” Radius, 241 mm)
No. of Frets: 22 Medium Jumbo
Scale Length: 25.5” (648 mm)
Width @ Nut: 1.650” (42 mm)
Hardware: Nickel Plated
Machine Heads: Sperzel “Trem-lok” Tuners
Bridge: Vintage Style 2-Point Synchronized Tremolo
Pickguard: 3-Ply Parchment Pickguard, with Aged White Plastic Parts
Pickups: 3 Custom Shop Pickups
Pickup Switching: 5-Position Blade:
Position 1. Bridge Pickup
Position 2. Bridge and Middle Pickup
Position 3. Middle Pickup
Position 4. Middle and Neck Pickup
Position 5. Neck Pickup
Controls: Master Volume, Tone 1. (Neck Pickup), Tone 2. (Middle Pickup)
Colors: (806) Black, (Alder body) (Polyurethane Finish)
Strings: (.010 to .046)
Source: U.S. Fender Custom Shop
Accessories: Black Tolex Case

$2,495.00
SKU 030821001

1965 Hofner D-22-S Blue Pearloid Sparkle Vintage Keller Höfner Electric Guitar

Mid 60's Höfner D-22-S with a Blue Pearloid Sparkle finish and White Pearloid pickguard. Everything is all original except for the pickguard. The pickups sound superb and the guitar plays great. The diamond 510 single-coil pickups have a nice output and give off a beautiful vintage tone. There is almost no visible fretwear. It weighs just 7.62 pounds. It has a 1.68" nut width. The floating bridge is currently set to a 24.5" scale length. The neck thickness measures 0.862" at the 1st fret and 0.995" at the 12th fret.

This guitar is in excellent overall condition with little wear considering its age. There are just a few dings and scuffs throughout. The hardware all looks good with a little bit of patina. The back of the neck has a few dings. The rosewood fretboard looks great. The frets have been polished and have very little wear. The nut is in good shape. The truss rod works and the neck is perfectly straight. The headstock is clean with a couple scuffs. The tuners all work.

Includes a non-original hardshell case that fits the guitar well. All latches work, as does the handle. Does not include any other accessories.

KELLER/HOFNER "D" SERIES

The very first Hofner-branded guitars produced by Enrique Keller in Spain were of solid construction using a style for the body which was never seen on any of the German-made Hofner solids. Fittings and electronics were however common to the German-made instruments, as was the one-piece maple neck/headstock. These guitars appeared on the Keller stand at the Madrid Trade Show Held in June 1963.

Three models were offered; the D-21-S which featured a single Hofner Type 510 pickup, the D-22-S with two Hofner510 pickups, and the D-23-S with three 510s. The contemporary Hofner vibrato unit was offered on all versions in lieu of the standard stop-tailpiece. Initially a rectangular control console was fitted, but it would appear that in the mid-60's, this was replaced by conventional rotary controls similar in arrangement to contemporary German-made solids.

Various vinyl and plastic finishes were applied to the bodies of these guitars, with sparkle, glitter, leather, and even wood effects molded in. The necks and headstocks were invariably finished in black gloss lacquer.

Production of the "D-Series" seems to have continued until c1965/66.

$1,645.00
SKU 030421001

1988 Fender American Spyder Stratocaster Khaler Olympic White USA Standard Vintage Electric Guitar

1988 Fender Spyder Stratocaster with factory Khaler tremolo. It is in outstanding near-mint condition with only light handling wear throughout. There is zero fretwear. It is as close to Collector Grade as possible for a 33 year old guitar. Everything is 100% original with zero modifications. It weighs just 7.27 pounds and features vintage cavity routing. It has a 1.627" nut width. The neck thickness measures 0.778" at the 1st fret and 0.867" at the 12th fret.

This is a very rare and unique strat, produced in the late 80's when temporary Japan production for the American market ceased and parts were moved back to USA for final assembly. CBS sold Fender in the mid 80's to become FMIC. During this time, all production was moved to Japan while the new Corona factory was under construction. When the factory was complete, all Japan parts were shipped back to USA for assembly to begin the new American Fender era.

The guitar is in excellent near-mint condition with virtually no imperfections to note, other than some light handling marks in the clear coat and a little bit of fade on the edge near the bottom strap button. It looks like this guitar is less than a year old. There is less wear than any new guitar hanging on the wall at your local music store. All hardware is very clean with no tarnishing. The back of the neck is spotless and still glossy smooth. The rosewood fingerboard has no fingerwear. The frets show no wear and have just been polished. The locking nut works great. The headstock is blemish-free. The tuners work perfectly. All electronics work great and everything is original.

Includes the original hardshell case in good working condition. All latches work, as does the handle. The interior is very clean. The exterior of the case has some light scuff marks from storage. Includes a strap and patch cable.

$1,399.00
SKU 021021002

Schaller Chrome Security Locking Strap Locks

Schaller Chrome Security Locking Strap Locks. Condition is good but may have some wear. See photos for condition.

$13.99
SKU 100120033

Allparts Chrome Kahler Style Locking Guitar Nut Base Only BP-0278

Used Chrome Kahler Style Locking Guitar Nut Base Only. Includes the metal nut only. Does not include any screws. Condition is good but may have some wear. See photos for condition.

645208004568

$19.99
SKU 100120032

Fender Nickel Jack Ferrule Ring for Fender Telecaster Guitars 0991941000

New Fender Nickel Jack Ferrule Ring for Fender Telecaster Guitars

Part Number: 0991941000

717669512361

Jack ferrule for use on nearly all U.S.- and Mexico-made Telecaster guitars manufactured from 1952-present. Mounting hardware included.

$4.99
SKU 100120031

Silver Humbucker Pickup Frame Mounting Rings Chrome Electric Guitar

Used Silver Humbucker Pickup Frame Mounting Rings Electric Guitar. Condition is good but may have some wear. See photos for condition.

$4.99
SKU 100120029

Gibson Les Paul Custom Black 5-Ply Standard Pickguard and Bracket

Used Gibson Les Paul Custom Black 5-Ply Standard Pickguard and Bracket. Condition is good but may have some wear. See photos for condition.

$14.99
SKU 100120028

Gold Metal Pickguard Scratch Plate for Gibson Les Paul

Used Gold Metal Pickguard Scratch Plate for Gibson Les Paul. Condition is good but may have some wear. See photos for condition.

$9.99
SKU 100120030

WD Music Custom Pickguard Black for Fender Telecaster Esquire Broadcaster Electric Guitar

Used WD Music Custom Pickguard Black for Fender Telecaster Esquire Broadcaster Electric Guitar. Condition is good but may have some wear. See photos for condition.

$14.99
SKU 100120027

WD Music Custom Pickguard Black for Fender Precision Bass Guitar

Used WD Music Custom Pickguard Black for Fender Precision Bass Guitar. Condition is good but may have some wear. See photos for condition.

$19.99
SKU 100120025

Boss TU8 Automatic Guitar/Bass Tuner

Used Boss TU8 Automatic Guitar/Bass Tuner. Condition is good but may have some wear. See photos for condition.

Product Description:

Compact, lightweight, and dependable. Accommodates open tunings and 6-string basses. Features a large meter, tuning guide LEDs, and adjustable pitch.

Features
Accommodates open tunings and 6-string basses.

Large meter and tuning guide LEDs.

Adjustable concert pitch from 438 to 445Hz in 1 Hz steps.

Uses 9-volt battery or PSA-120 adapter (not included).
$14.99
SKU 100120024

Truetone 1 SPOT Slim 9V DC Adapter Guitar Pedal Power Supply

Used Truetone 1 SPOT Slim 9V DC Adapter. Condition is good but may have some wear. See photos for condition.

Power your pedalboard with a single plug!

The Truetone 1 SPOT lets you power your entire pedalboard without using up tons of outlets or sapping your budget. A 1 SPOT is the original 9V DC adapter that only takes up 1 SPOT on an outlet strip or wall outlet. It solves an annoying problem that guitarists and bassists have complained about for years! The 1 SPOT can be paired with optional multi-plug cable(s) for powering more than one pedal - power up to twenty pedals (1700mA max!) with the 1 SPOT!

Truetone 1 SPOT Features:
  • Takes up only one spot on your power strip
  • Handles up to 1700mA
  • Extra-long 10' cable
  • A single 1 SPOT powers your entire pedalboard
  • Compatible with BOSS PSA, BOSS ACA, DOD PS-200R, Morley 9V, Danelectro DA-1, Dunlop ECB-03, Ibanez AC109, Zoom AD-0006 adapters
  • Automatically converts voltage worldwide
The Truetone 1 SPOT powers your pedalboard efficiently and affordably!

Tech Specs

  • Type: Pedal Power Supply
  • Input Voltage Range: 100-240V AC, 50-60Hz
  • Output Amps: 1700mA
  • Output Voltage: 9V DC
  • Sleeve/Tip Configuration: Sleeve: Positive, Tip/Center: Negative
  • Manufacturer Part Number: NW1-US
$14.99
SKU 100120023

Live Wire Advantage 10-Foot Tweed Gold Livewire 10 ft Instrument Guitar Cable

Used Livewire Advantage 10-Foot Tweed Gold 10 ft Instrument Guitar Cable. Condition is good but may have some wear. See photos for condition.

Instrument cable with Neutrik connectors, 20-gauge copper core and braided copper shielding (95% coverage); strain relief and heavy PVC jacket. Livewire Advantage Series represents ruggedness and reliability without compromises in clarity and detail for studio, stage or broadcast.

20-Gauge Copper Core Conductor
Stage-Worthy, Copper 95% Coverage Braided Shield
Rugged Translucent Jacket
Rugged Metal Connectors With Secure Nickel Contacts
Guaranteed For Life

Features

  • Type: Instrument
  • Gauge: 20
  • Connector 1: 1/4" TS-M
  • Connector 2: 1/4" TS-M
  • Facet: Straight/Straight
  • Configuration: Single
$11.99
SKU 100120021

Live Wire 25' EG25L Advantage Series 1/4" TS Right-Angle to Straight Instrument Livewire Cable

Used 25-Foot Live Wire EG25L Advantage Series 1/4" TS Right-Angle to Straight Instrument Cable. Condition is good but may have some wear. See photos for condition.

$17.99
SKU 100120020

Quantum Audio Designs 2000 Series Instrument Guitar Cable 10-Foot

Used Quantum Audio Designs 2000 Series Instrument Guitar Cable 10-Foot. Condition is good but may have some wear. See photos for condition.

$9.99
SKU 100120019

Fender California Series Instrument Cable for electric guitar, bass guitar, electric mandolin, pro audio - Fiesta Red - 15'

Used 15-foot Fender California Series Instrument Cable in Fiesta Red. Condition is good but may have some wear. See photos for condition.

  • Fender California Series Cables are designed specifically for high performance.
  • The braided shield is optimally stranded with OFC copper for superior sound quality and frequency balance.
$11.99
SKU 100120018

Fender Single-Button On/Off Amplifier Footswitch 1/4" Jack 099-4049-000

New Fender Single-Button On/Off Amplifier Footswitch 1/4" Jack 099-4049-000.

Single-button Footswich for Your Fender Amp!

This is a single-button footswitch for amplifiers. It features a 1/4" jack for newer Fender amps. It's compatible with the FM, Mustang, Blues Junior amps, and any other amplifier that uses a 1/4" jack.

$12.99
SKU 100120017

Levy's M8 Black Woven Guitar Strap

Used Levy's M8 Black Woven Guitar Strap. Condition is good but may have some wear. See photos for condition.

$9.99
SKU 100120016

Black Leather Guitar Strap Made in Canada F7GP

Used Black Leather Guitar Strap Made in Canada F7GP. Condition is good but may have some wear. See photos for condition.

$14.99
SKU 100120015

Blue Guitar Strap

Used Blue Guitar Strap. Condition is good but may have some wear. See photos for condition.

$4.99
SKU 100120014

Martin Black Leather Guitar Strap

Used Martin Black Leather Guitar Strap. Condition is good but may have some wear. See photos for condition.

$15.99
SKU 100120013

Black Guitar Strap

Used Black Guitar Strap. Condition is good but may have some wear. See photos for condition.

$3.99
SKU 100120012

Levy's Brown Suede Leather Guitar Strap

Used Levy's Brown Suede Leather Guitar Strap. Condition is good but may have some wear. See photos for condition.

$13.99
SKU 100120010

Planet Waves Joe Satriani Woven Adjustable Electric Guitar Strap Skull N Bones

Used Planet Waves Joe Satriani Woven Adjustable Electric Guitar Strap Skull N Bones. Condition is good but may have some wear. See photos for condition.

 

Planet Waves 50mm Joe Satriani Woven Guitar Strap - Skull 'N Bones "Skulls n' Bones" artwork, sketched by Joe Satriani himself make this Planet Waves guitar strap a unique addition to any guitar.Planet Waves and guitarist Joe Satriani are pleased to offer the JS Series signature guitar strap collection. The JS strap collection features 8 premium-quality 50mm wide tubular nylon guitar straps featuring Satriani's own artwork and artwork inspired by his famous guitars woven into comfortable, fashionable guitar straps. Each strap is designed to Joe's specifications, and is adjustable in length from 35" to 59.5" long. Features Unique "Skulls n' Bones" artwork designed by Joe Satriani Adjustable from 35" to 59.5" long 50mm wide tubular nylon A perfect gift idea for any Joe Satriani fan.

$13.99
SKU 100120009

D'Addario Planet Waves 50PLB06 Planet Lock Guitar Strap - Tweed

Used D'Addario Planet Waves 50PLB06 Planet Lock Guitar Strap - Tweed. Condition is good but may have some wear. See photos for condition.

 

D‘Addario’s patented Planet Lock system fits virtually any guitar and stays locked in place until you release the side pin. Unlike ordinary strap lock systems, the Planet Lock is designed to fit securely on your guitar's existing end pins, eliminating the need to change the hardware on your guitar. Plus, you can use the same strap on different guitars. The Planet Lock is safe, secure, and easy to use.

D'Addario Accessories are known for innovative, problem-solving, quality musical accessories. Offering a complete line of award-winning accessories including cables, picks, tuners, capos, straps, humidifiers, maintenance tools and more.

Features

  • Patented Planet Lock system fits virtually any guitar, eliminating the need to change hardware
  • Adjustable length from 32.5" to 57.5" long
  • Safe on all finishes, will not scratch your guitar's body
  • Planet Waves Tweed design
$15.99
SKU 100120008

Perri's Black Guitar Strap

Used Perri's Black Guitar Strap. Condition is good but may have some wear. See photos for condition.

$11.99
SKU 100120007

Black Guitar Strap

Used black guitar strap. Condition is good but may have some wear. See photos for condition.

$3.99
SKU 100120006

Levy's Brown Leather Guitar Strap

Used Levy's Brown Leather Guitar Strap. Condition is good but may have some wear. See photos for condition.

$17.99
SKU 100120005

Rock Steady Black & White Checkered Checkerboard Guitar Strap

Used Rock Steady Black White Checkered Guitar Strap. Condition is good but may have some wear. See photos for condition.

$6.99
SKU 100120004

Walker & Williams Premium Leather Black Guitar Strap

Used Walker & Williams Premium Leather Guitar Strap. Condition is good but may have some wear. See photos for condition.

$17.99
SKU 100120003

EMG 81/85 Active Humbucker Pickup Set Electric Guitar EMG-81 EMG-85 Pickups

EMG Active 81/85 black pickup set. This was pulled from a working guitar. It includes the two pickups and entire wiring kit, including the pots and jack. It features solderless wiring. One of the pots seems to spin continuously and may need to be replaced.

$99.00
SKU 100120002

GFS Gold P-90 Humbucker Gold Electric Guitar P90 Guitar Fetish Pickup

Used GFS P-90 pickup. It has a gold finish and is humbucker-sized. The gold finish has aged and has a slight patina. This pickup measures 9.23K Ohms.

$25.00
SKU 100120001

2021 MJT VTT Telecaster Relic Musikraft USA American Handwound Fender Custom Shop Pickups Electric Guitar

2021 MJT VTT Telecaster with a relic Metallic Candy Plum finish. This is a brand new fully custom build that was just completed in-house and features a MJT VTT body, MJT Musikraft maple neck with rosewood fretboard, and new Fender Custom Shop relic electronics and pickups, all handwound by Fender's Custom Shop master winders. This Telecaster is the ultimate in build-quality where every aspect was mastercrafted with the utmost consideration. A lot of time was spent meticulously dressing the frets, aging all hardware, and shielding the body cavities. This 100% USA build rivals anything from the Fender Custom Shop. It plays extremely well and sounds out of this world. It weighs just 7.55 pounds. Does not include a case or any accessories.

Body:

MJT® VTT Telecaster Alder body crafted by USA Custom Guitars and aged by Mark Jenny with an aged nitro Metallic Candy Plum relic finish.

Neck:

MJT® VTT Custom Musikraft guitar neck with aged 100% nitro finish.

The neck was custom made by Musikraft in New Jersey, USA. The neck is topped off with an aged vintage 100% nitro finish by Mark Jenny of MJT® Aged Guitar Finishes

Peghead Shape: MJT w/MJT decal
Neck Wood: 2 Piece Maple with Dark Indian Rosewood Fretboard
# Frets: 21
Scale Length: 25.5"
Back Shape: C shape
Thickness: 0.83" to 0.90"
Heel Shape: Square
Nut Width: 1.650"
Frets: 6105
Fingerboard Radius: 9.5"
Trussrod Adjust: Dual Acting w/ Vintage Nut Adjust @ Heel
Top & Side Dots: Imitation Clay

Electronics:

Description: Official American Fender Custom Shop 1955 Journeyman Relic Telecaster Loaded Pickguard complete with Bricenda Pineda "BP" Hand Wound '55 Pickups, Pots & 3 Position Switch, Control Plate, Knobs & Jack (complete set)- Modern Wiring with Greasebucket Tone- Knurled Chrome Knobs- 3-way Top Hat Selector Switch- All original w/ screws- Genuine Fender

Condition: Mint (relic)

Type: Loaded Pickguard (Parchment Single Ply)

Comments: Top shelf- nicely aged by the Fender Custom Shop!

$1,699.00
SKU 061721001

2021 MJT VTS Stratocaster Relic Sunburst Musikraft USA American Handwound Fender Custom Shop Pickups Electric Guitar

2021 MJT VTS Stratocaster with a relic 3-Tone Sunburst finish. This is a brand new fully custom build that was just completed in-house and features a MJT VTS body, MJT Musikraft maple neck, and new Fender Custom Shop relic electronics and pickups, all handwound by Fender's Custom Shop master winders. This Stratocaster is the ultimate in build-quality where every aspect was mastercrafted with the utmost consideration. It features an early 50's style chunky neck. A lot of time was spent meticulously dressing the frets, aging all hardware, and shielding the body cavities. This 100% USA build rivals anything from the Fender Custom Shop. It plays extremely well and sounds out of this world. It weighs just 7.78 pounds. Does not include a case or any accessories.

Body:

MJT® VTS Stratocaster Alder body crafted by USA Custom Guitars and aged by Mark Jenny with an aged nitro 3-Tone Sunburst relic finish.

Neck:

MJT® VTS Custom Musikraft guitar neck with aged 100% nitro finish.

The neck was custom made by Musikraft in New Jersey, USA. The neck is topped off with an aged vintage 100% nitro finish by Mark Jenny of MJT® Aged Guitar Finishes

Peghead Shape: MJT w/MJT VTS decal
Neck Wood: Roasted Maple
# Frets: 21
Scale Length: 25.5"
Back Shape: C shape
Thickness: 0.99" to 1.00"
Heel Shape: Round
Nut Width: 1.650"
Frets: 6150 Modern narrow and tall
Fingerboard Radius: 10"
Trussrod Adjust: Single acting at heel
Fingerboard Top and Side Dot Inlay: Black

Electronics:

Electronics Description: Official 2021 Fender Custom Shop Relic Hand Wound Tomatillo Pickups, Pots & 5 Position Switch, Knobs & Jack (complete set)- Modern Wiring with Greasebucket Tone and a 1/2 blender pot taking the place of the second tone (this blends the neck pickup into positions 1 and two... blends in as you turn the tone down)

Electronics Condition: New (relic)

Electronics Type: Loaded Pickguard (Parchment Single Ply)

Electronics Comments: Top shelf- nicely aged by the Fender Custom Shop. Celina Garcia hand wound these pickups so you can expect the best!

Pickguard and plastics: "Art of Aging" plastics from Crazy Parts in Germany. Includes pickguard, pickup covers, bakelite knobs, switch tip, and rear cavity control cover.

Pickups:

Tomatillo pickups are made using Alnico 2 magnets, simulating what an aged Alnico 5 pickup from the ‘50s would sound like now. They mimic vintage pickups that have lost a little sharpness and have a more mellowed sound. These pickups use Formvar magnet wire, Alnico 2 bevelled magnets and cloth wire, plus they are Shellac dipped. The DC resistance of the set is as follows: Bridge 6.27, Middle 6.0, Neck 6.0.

Bridge:

Callaham V/N bridge assemblywith Callaham Vintage Stamped Steel "CG" Saddles for 2 1/16" spaced bridges.

$1,750.00
SKU 061721002

2021 MJT VTS Stratocaster Relic Coral Musikraft USA American Handwound Fender Custom Shop Pickups Electric Guitar

2021 MJT VTS Stratocaster with a relic Coral Red finish. This is a brand new fully custom build that was just completed in-house and features a MJT VTS body, MJT Musikraft rosewood neck, and new Fender Custom Shop relic electronics and pickups, all handwound by Fender's Custom Shop master winders. This Stratocaster is the ultimate in build-quality where every aspect was mastercrafted with the utmost consideration. A lot of time was spent meticulously dressing the frets, aging all hardware, and shielding the body cavities. This 100% USA build rivals anything from the Fender Custom Shop. It plays extremely well and sounds out of this world. It weighs just 7.85 pounds. Does not include a case or any accessories.

Body:

MJT® VTS Stratocaster Alder body crafted by USA Custom Guitars and aged by Mark Jenny with an aged nitro Coral relic finish.

Neck:

MJT® VTS Custom Musikraft guitar neck with aged 100% nitro finish.

The neck was custom made by Musikraft in New Jersey, USA. The neck is topped off with an aged vintage 100% nitro finish by Mark Jenny of MJT® Aged Guitar Finishes

Peghead Shape: MJT w/MJT decal
Neck Wood: Rock Maple w/ Dark Indian Rosewood fretboard
# Frets: 21
Scale Length: 24.75" Conversion
Back Shape: C shape
Thickness: 0.79" to 0.89"
Heel Shape: Round
Nut Width: 1 - 11/16"
Frets: 7230 Stainless
Fingerboard Radius: 9.5"
Trussrod Adjust: Dual Acting w/ 4mm Hex Adjust @ Head
Top & Side Dots: Real Aged Clay
Fingerboard Style: Slab

Electronics:

Electronics Description: Official 2021 Fender Custom Shop Hand-Wound ’60/’63 Strat Pickup Set, Loaded Pickguard complete with Bricenda Pineda Hand WoundPickups, Pots & 5 Position Switch, Knobs & Jack (complete set)- Vintage Wiring.

Pickups Description:
Last in the lineage of the all black bobbin pickups, the hand-wound ‘60/’63s are voiced to produce the hallmark throaty Strat tone from those formidable years. Each pickup is carefully calibrated for balanced output from neck to bridge, with the middle featuring reverse wound/reverse polarity to provide noise-free “in between” tones in the 2nd and 4th switch positions.

  • Hand Wound in the Fender Custom Shop
  • Initialed and dated by the winder
  • DC Resistance: Neck 6.20k, Middle 6.45k, Bridge 6.47k
  • Formvar Wire
  • Alnico 5 magnets for more focus and enhanced dynamics
  • Vintage magnet stagger for balanced output
  • Includes certificate of authenticity

Electronics Condition: New (relic)

Electronics Comments: Bricenda Pineda hand wound these pickups so you can expect the best!

 

Bridge:

Genuine Fender USA Pure Vintage Stratocaster/Strat Tremolo Assembly 009-4247-049

Many of Fender’s Pure Vintage parts are crafted where possible on the same tooling and machinery as our original-era Fender parts. Whether you are personalizing, modifying or restoring, there is no better way to maintain the proud heritage and period-correct accuracy of your classic Fender instrument or amp.

Specs:
  • Includes intonation springs, Phillips head intonation screws, hex saddle height adjustment screws, tremolo block, bridge plate, tremolo springs, tremolo claw, tremolo arm and tension springs, tremolo tip and all mounting hardware
  • Completely retooled to vintage specs for crisp, clean look and feel
  • "Fender Pat. Pend." stamped on each saddle
  • Bridge block is pre-tapped to accept 3-16 threaded tremolo arm
  • Introduced on 1954 Stratocaster® guitar
  • Used on American Vintage '56, '59, and '65 Stratocaster guitars
  • Fits most vintage and modern Stratocaster guitars with vintage (2 3/16") bridge mounting spacing and vintage six-screw mounting design
$1,899.00
SKU 061721003

2016 Taylor 614ce Brown Sugar Stain Grand Auditorium ES2 614-ce 600 Acoustic-Electric Guitar

2016 Taylor 614ce Grand Auditorium Acoustic-Electric Guitar. This is a fantastic playing acoustic that has just been perfectly setup and sounds outstanding. It weighs just 4.63 pounds. The neck thickness measures 0.847" at the 1st fret and 0.879" at the 9th fret. The string action height measures 2.0mm at the 12th fret.

Overall in great condition with some small dings throughout. The top is clean, bright, and shiny. There are a few small dings near the bottom bout. There is one very tiny repaired crack in the top that is so small it will not show up in pictures. The bridge is perfectly stable. The back of the body shows some minimal worming and a couple marks in the finish that only show up under intense direct lighting. There may have been a very professional neck reset at some point as there is some glue residue that is seen under direct lighting, and some marks following the fingerboard on the top. If it was reset, it was a very good job and the guitar is setup perfectly and extremely stable. The back of the neck is clean and smooth with a couple small wedding ring dings. The ebony fretboard looks great with minimal fingerwear. The frets have a ton of life and only a small amount of fretwear on the first couple frets. All frets have been polished to a bright shine and there is no fret buzzing anywhere. The headstock look good with minor scuffs around the edge. All tuners work perfectly. The ES2 Expression System works great with zero issues.

Includes the original hardshell case in excellent condition. All latches work, as does the handle. The exterior of the case may have some light scuffs from storage. The interior of the case is pristine. Does not include any other accessories.

Taylor's Responsive 614ce

Combining elegant aesthetics with tone-enhancing details, Taylor's 600 Series guitars are incredibly popular. If you're a guitarist who appreciates a more played-in tone, you'll relish how the 614ce's torrefied Sitka spruce top and maple back and sides work together to convey every nuance of your playing. While you delight in its beautiful tone, your eyes will savor the 614ce's tasteful appointments.

Grand Auditorium body style delivers exceptional presence

Taylor's beloved Grand Auditorium body style, featured on the 614ce, employs the width and depth of the dreadnought. But its waist is narrower, which gives Grand Auditorium–bodied acoustic guitars a sleeker look with more treble zing. The 614ce's maple Grand Auditorium body also helps to sharpen the definition of each note, balancing out nicely with the excellent projection of its torrefied Sitka spruce top.

A tonewood combination that reflects your playing style

As a tonewood, maple is known for its sonic transparency, which makes it highly reflective of your personal playing style. Used for the back and sides of the 614ce, it is joined by a torrefied (specially roasted) Sitka spruce top, which takes the guitar's native versatility to an entirely new level. The roasting process for the top delivers a more played-in tone and gives you a highly responsive and expressive instrument with increased dynamic range, robust projection and sustain, and harmonic synergy when chording up the entire fingerboard. The 614ce is one of the most touch-sensitive models Taylor makes. Whether you play fingerstyle or strum in alternate tunings, this guitar conveys every nuance of your playing.

Cutting-edge Taylor Expression System 2 electronics

If you play plugged in, then you're going to love the Taylor Expression System 2 (ES2) electronics built into your 614ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it's positioned and how it's integrated into the 614ce's saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discreet phase switch offers vital onboard feedback suppression.

Taylor 614ce Acoustic-electric Guitar Features:

  • Natural Gloss Finish
  • Brown Sugar Stain Back Finish
  • Grand Auditorium Body Shape
  • Torrefied Sitka Spruce Top
  • Maple Back and Sides
  • Striped Ebony Pickguard
  • Hard Rock Maple Neck
  • Ebony Fretboard and Bridge
  • Ebony Peghead Veneer
  • Ebony Binding
  • 25.5" Scale Length
  • 1.75" Neck Width at Nut
  • 15" Radius
  • Standard Carve Neck Profile
  • Grained Ivoroid Wing Inlays
  • Advanced Performance Bracing
  • Ebony, Ivoroid, and Abalone Rosette
  • Ivoroid Purfling
  • Taylor Nickel Tuners
  • Tusq Nut
  • Micarta Saddle
  • Expression System 2 Electronics
  • Grained Ivoroid Headstock Logo
$1,999.00
SKU 052421001

Ampeg BA115V2 150-Watt 1x15" Combo Bass Amplifier

Ampeg's BA-115 1x15" 150W bass combo delivers classic Ampeg tone in a 150W design with performance-driven features perfect for the stage. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle that adds clarity in any situation. The BA-115 features Bass Scrambler overdrive plus flexible tone-shaping and professional performance features in a portable, powerful 15" combo.

Features

Power: 150W
Speaker: 15" Ampeg Custom15; 1" HF tweeter
Ampeg Ultra Hi/Lo tone shaping
Bass Scrambler overdrive delivers SVT grind
Headphone output for silent practice
-15dB input pad for active basses or additional level control
Weight: 45 lbs.



Classic Ampeg tone

150 watts RMS power
15″ Ampeg Custom15™ speaker
1″ HF tweeter
Ampeg Ultra Hi/Lo tone shaping
Legacy Ampeg preamp with 3-band EQ
Bass Scrambler™ overdrive delivers SVT grind (footswitch optional)

Modern flexibility

True 60° sound reinforcement monitor angle
Dedicated XLR balanced line out
Independent effects send and return
HF mute defeats horn for a rounder, more vintage tone
-15dB input pad for active basses or additional level control
Headphone out for silent solo practice

Rugged portability

Roadworthy braced cabinet construction
Protective all-steel amp chassis
Impact-resistant black metal corners
Durable double-thick Ampeg Classic black Tolex®
Lightweight, portable design
45.0 lbs / 20.4 kg

$324.99
SKU 060316005

Guitar Strap Black By First Act 222

Used black Guitar strap by First Act

$2.99
SKU 021917003

Guitar Strap

Guitar strap

$2.99
SKU 021917006

Ruby EL84 Matched Duet Pair Power Tubes

Brand new pair of Ruby Tubes EL84 power tubes pulled from a brand new amp that had its tubes swapped immediately when purchased.

 

A premium tube that produces more power, more tone, and higher fidelity with an extended dynamic range.

$9.99
SKU 022317001

RCA 6l6GC Blackplate Valve Tubes Vintage Tube Matched Pair Duet Black Plate

One pair of RCA 6l6GC blackplate valve tubes. These were pulled from a working amp. One of the tubes' guide pin broken off but can be easily reglued back on.

$79.99
SKU 022417002

Seiko ST737 Automatic Guitar and Bass Tuner

Product Description

The ST737 is a pocket-size auto or manual-tuner for guitar and bass players. Its dual display (analog and digital) and two LEDs provide quick, accurate tuning. The ST737 works with standard instruments, as well as 7-string guitars and 6-string basses.

Features

Selectable Guitar mode / Bass mode.

Selectable Manual tuning / Auto tuning.

Flat / Doubleflat tuning modes are supported.

Wide detection range whitch supports 7-strings Guitar and 6-strings Bass.

Auto power-off and Memory Back-up functions are supported.

Built -In Microphone

Input-Jack / Output-Jack

$5.99
SKU 021917011

Korg GA-30 Automatic Ultra Compact Guitar and Bass Tuner

Used working condition.

 

The Korg GA-30 Guitar/Bass Tuner is a high-precision LCD needle-type meter. Unique Korg feature lets you tune down to 5 semitones flat. Internal speaker produces tuning reference tone. High-sensitivity internal mic for tuning acoustic guitars. Auto power off and low power draw for very long battery life.

An Easy-to-Use Dedicated Guitar and Bass Tuner
This dedicated guitar/bass tuner lets you select either Guitar mode or Bass mode for truly easy operation with automatically detected pitch. The wide detection range supports 7-string guitar (7B through 1E) in Guitar mode, and 6-string bass (Low-B, Hi-C) in Bass mode. A high-sensitivity mic is built-in, allowing easy and accurate tuning of acoustic guitars.

Ultra-compact Body with a "Tilt Slit"
Although the GA-30 is small, thin, and light, don't let its pocket-sized body fool you. The GA-30 can accurately tune any guitar or bass. From studio to stage, tuning is easy and convenient. The back of the unit includes a unique arc-shaped "tilt slit" that lets you insert a plastic card for use as a handy stand.

High-Precision LCD Meter
The meter section uses a LCD needle, combining the accuracy of an LCD with the easy visibility of a needle, and providing a stable display. Additional visual feedback is provided by LEDs that indicate pitch deviation.

Sound Out -- Internal Speaker Provides a Reference Pitch
In addition to visual tuning via meter, the GA-30 can play reference pitches from its internal speaker (Sound Out) for tuning by ear. Each press of the Sound switch will cycle the output sound through 7B->6E->5A->4D->3G->2B->1E in Guitar mode, or LB->4E->3A->2D->1G->HC in Bass mode.

Quinta Flat Tuning mode -- a world-wide first!
The GA-30's Quinta Flat Tuning mode supports the lowered tunings used in heavy metal styles to give more weight to the sound. Until now, dedicated guitar tuners have supported a maximum of only four semitones below standard pitch, but the GA-30 gives you five steps of flatted tuning, extending as far as five semitones below standard pitch, and supporting even super-long scale guitars that are five frets longer than conventional guitars.

Auto Power Off Function
If you leave the unit powered-on for 20 minutes without performing any operation, the Auto Power Off function will turn the power off automatically, avoiding unnecessary battery consumption.

Approximately 100 hours of continuous use
Low-power consumption design allows an amazing 100 hours (approximate) of continuous battery life (A4 continuous input, Meter mode, zinc-carbon batteries).

* Even if the pitch is within the detection range, detection may not be possible for instrumental sounds that contain a large number of overtones or have a rapid decay.

Korg tuners and metronomes purchased from a Korg USA authorized dealer now have a three year warranty.

Features
  • High-precision LCD needle-type meter
  • Lets you tune up to 5 semitones flat
  • Produces tuning reference tone
  • High-sensitivity internal mic for tuning acoustic guitars
$7.99
SKU 021917012